Wednesday, December 15, 2010
Thursday, November 18, 2010
Friday, November 12, 2010
Tuesday, July 20, 2010
Wednesday, January 27, 2010
Tuesday, January 19, 2010
A magnificent small bee hive water pot (Taibo Zun)
This small piece of water pot comprises of two red dragons chasing after a dragon ball. There are two beautiful 'ball flower' motif at both sections of its legs. This piece of water pot carries a six-character seal that of Jiajing period (1522-1566)inside 2 round light blue circles.
Simply a magnificent piece of porcelain.
Saturday, January 16, 2010
A magnificent Guyuexuan vase blue enamel mark and period of Qianlong
This diminutive pear-shaped body rising to a waisted neck gently rounded inwards at the rim, delicately potted made out of immaculate white kaolin clay and applied with a milky-white glaze superbly fired to a smooth silky finish; in falangcai enamels in subtly shaded, at times blended, washes and meticulous detail with a pair of golden pheasants perched on a knotty trunk. The base is stamped with the four-character mark Qianlong nianzhi written within a double-square in a characteristically pale, slightly misfired greyish-blue enamel
Wednesday, January 13, 2010
Square Yi (wine vessel) of Shi Yi
As a wine container, this Yi is unique for its proboscis-like handles on two sides. Its lid, body mouth rim and foot are all decorated with deformed animal mask motif. Both the lid and the body are engraved with sixty-six characters respectively, telling a story that Shi Yi dedicated his tribute to the King of the Zhou State on a royal banquet and the King rewarded him with jade Gui and Zhang. Shi Yi specifically produced this Yi to repay the kindness of the King.
Moonlight glazed Zun (vase) with protruding ridges Jun Ware
Located at Juntai, Yu County, Henan Province and as one of five famous kilns during the Song dynasty, Jun kiln has been well known for its turbid copper-brown glaze. Shaped by thick and hard clay, this Zun was then evenly embellished by rich and brightly white glaze. Imitating the style of ancient bronze, this Zun was decorated with twelve rectangular protruding ridges on its neck, body and base. In addition, the glaze on the vessel shows irregular floating stripes, just like earthworms wriggling in mud. This is a unique decoration of Jun kiln.
Ewer, Eastern Jin dynasty (ca. 317–420), second half of 4th century China
Stoneware with celadon glaze (Yue ware)H. 7 1/2 in. (19.1 cm)
Glazed stoneware was produced in southeastChina as early as the eighth century B.C. However, the term "Yue ware" is usually applied only to examples made from the Three Kingdoms period through the sixth century A.D. The earliest examples include burial goods, such as models of stoves and animal pens, as well as vessels in the shape of lions, rams, or mythical creatures such as the bixie. Ewers with chicken-headed spouts appear in the second half of the fourth century. Earlier jars with purely decorative chicken heads applied to the shoulders provide possible prototypes for these distinctive vessels. The lack of decoration on this piece is typical of wares made during the fourth century, when daubs of iron oxide deliberately placed to produce dark brown spots against the green ground were the only decoration used.
Glazed stoneware was produced in southeast
A Tang Dynasty Zun with Lotus Design with Lid
A fine piece of IMPERIAL FAMILLE ROSE 'SWALLOWS' BOWL
The bowl finely potted with translucent rounded sides rising to a thin flaring rim, the exterior delicately enamelled in two shades of pink, yellow, green, brown and black with two swallows flying beside a flowering apricot tree intertwined with a willow tree with a gnarled trunk, the reverse inscribed in black with a ten-character poem in four lines, preceded by a ruby-red enamel seal, jiali, and followed by further two ruby-red enamel seals, and 4 7/16 in. (11.3 cm.) diam., box
Ewer, Northern Song dynasty (960–1127)
In accordance with the prevailing taste of the Song dynasty, the shape and glaze of this fine vessel are the dominant qualities, taking precedence over ornamentation. This is one of the finest examples of a ceramic type known as northern celadon ware.
The swelling body, the important but subtle glaze, and the complex design that covers the surface of this elegant ewer complement one another. The glaze, which derives its color from iron, collects in thicker pools, where more clay has been hollowed out to create the carved patterns, thus accenting the design. The ewer stands on three scowling-mask legs that terminate in paws. The handle is a serpent-leg dragon whose head forms the spout and is straddled by a diminutive rider.
The swelling body, the important but subtle glaze, and the complex design that covers the surface of this elegant ewer complement one another. The glaze, which derives its color from iron, collects in thicker pools, where more clay has been hollowed out to create the carved patterns, thus accenting the design. The ewer stands on three scowling-mask legs that terminate in paws. The handle is a serpent-leg dragon whose head forms the spout and is straddled by a diminutive rider.
Magnificent Weaponry and Armoury Set from the Warring States Period
This 12-piece weaponry and armoury set is from the Warring States period as per the knowledge of my Chinese colleague. They are between 4" to about 7.5" in height and are painted with red patches on certain pieces. Indeed a very rare collection of a complete set. According to a Chinese colleague (who has worked as a curator in a Museum) only 3 pieces of these 12 piece collection are available in one of the major Chinese Museum
Blue glaze teapot with phoenix 's head and dragon handle
A large beautiful bowl with birds and bats motif
A beautifully crafted large bowl measuring nine and three tenths (9 3/10) inches depicting the 4 seasons. Each of the 4 paintings (in the window) had different bird motifs sitting or flying around the blossoms. Besides these birds motif are 4 separate bats motif. The whole of the bowl is inscribed with red, yellow and white design.
At the ream of the bowl is a gold lining, set on a yellow background with blue curvy wave-like design.
At the base of the bowl are 4 characters depicting that of Yongzheng period.
A magnificant bowl decorated with European subject
A magnificent large bowl (measuring about 10.5"" across) with European subjects on both sides which were delicately painted . The bowl is hand painted with beautiful pink design all over its surface with sparsely scattered blue flower design along side the pink background.
Both the reams near the mouth and foot of the bowl are crafted with light blue pattern to bring out the beauty of the bowl. There is a gold lining throughout the entire mouth of the bowl.
At the base of bowl is a 6 Chinese character seal of the qianlong period (1736 - 1795)
Both the reams near the mouth and foot of the bowl are crafted with light blue pattern to bring out the beauty of the bowl. There is a gold lining throughout the entire mouth of the bowl.
At the base of bowl is a 6 Chinese character seal of the qianlong period (1736 - 1795)
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